Nasim Nasr in Conversation with Shirin Neshat,
A-M Journal is a new global annual arts and culture magazine, published by @arts__matter, Issue 1, 2024
Singapore, Art Journal “ ISSUE” volume 11 writer : Charles Merewether
PHOTO LONDON ACADEMY Publication, ISSUE 100
https://www.artshub.com.au/news/features/iranian-artists-using-art-to-amplify-calls-for-freedom-2624217/Arts Hub Nasim Nasr
Nasim Nasr, Impulse 2023, on the front cover of Art Collector Magazine April 2023 Issue 104 https://artcollector.net.au/product/art-collector-single-issue/
Nasim Nasr
Artist Profile 62 Editor's note
Artist Profile, Nasim Nasr 2023
the Australian 2023.
Nasim Nasr the Australian paper
The Daily Telegraph, May 2018.
Artist Profile, Magazine 2017
Sydney Morning Herald, 2018
Nasim Nasr, Ashkdan-Tear Collcetor’s been mentioned as number 1 choice of Jean Wright, one of the top 10 interior designer experts in Australia at House & Gardens, Modern Australian Style, Special Issue Feb 2024
the Art Collector magazine, issue 81, July-Sept 2017
https://www.theguardian.com/artanddesign/2018/may/15/restless-in-exile-the-outsider-art-of-nasim-nasr
https://www.harpersbazaar.com/culture/art-books-music/a34229443/october-culture-guide/ASIA SOCIETY TRIENNIAL
(OPENING OCTOBER 27 2020-June 2021) NY/USA ASIA SOCIETY MUSEUMTitled We Do Not Dream Alone, the Asia Society Triennial
Reena Devi Published: 12:45pm, 11 Jul, 2022 South China Morning Post""Nasim Nasr, an Australia-based Iranian artist who exhibited at the triennial, thanked Tan for making her dreams come true. Very few artists living and working in Australia, geographically remote from Europe and the US, would have been able to exhibit their works at an important international museum show in New York, she said.""
Latest published articles and essays:
2021
The Brooklyn Rail, February 2021;
David Carrier, Yung-Wen Yao & Paul Gladston, ‘ArtSeen: The Asia Society Triennial’, https://brooklynrail.org/2021/02/artseen/Asia-Society-Triennial
Hyperallergic
Lisa Yin Zhang, ‘An Expansive View of Asian Identity at the Asia Society Triennial’, Hyperallergic, https://hyperallergic.com/614473/asia-society-triennial-review-part-one/
The New York Times,
Jason Farago, ‘A Festival of New Asian Art, Seeking a Direction, The New York Times, 18 November 2020, https://www.nytimes.com/2020/11/18/arts/design/asian-art-triennial-review.html
Belle Magazine Australia,
Brooke Aitken Design, Curves Ahead, https://www.magzter.com/AU/Bauer_Medi
SOLO Artist story
The guardian:
Hamad, Ruby. 'Restless in exile: the outsider art of Nasim Nasr', 15th May, 2018.
Elle Italy:
Marani, Simona, 'Le donne invisibili (sono) sotto gli occhi di tutti, e per l'artista Nasim Nasr non è solo una questione di costume', 1st June, 2018.
State library New South Wales publication:
'Q&A with artist Nasim Nasr', April 13th, 2017.
EYELINE CONTEMPORARY VISUAL ARTS PUBLICATION:
Geczy, Adam. 'Nasim Nasr: Symbols of Rebirth' , 2014.
VOGUE AUSTRALIA:
Killick, Duncan, 'Threads of Meaning', 1st March, 2018.
sydney morning herald:
Morris, Linda. 'Former Powerhouse Museum trustee calls for an end to uncertainty', 1st December, 2017.
ART RADAR INTERNATIONAL JOURNAL:
Wilson, Claire, “The Home, The Habit”: looking West and East with Iranian-born artist Nasim Nasr – in conversation ", May 2018.
THE DAILY TELEGRAPH:
Fortescue, Elizabeth, "Blake Prize: tattoos, lightsabers and worry beads", May 2018.
Bennis, Matthew. 'Put our west food forward', May, 2018.
THE ART COLLECTOR MAGAZINE issue 81
John Neylon, ‘Nasim Nasr: The Home, The Habit’, Art Collector Issue 81
ARTIST PROFILE MAGAZINE 2018
books
Prof. Anne Marsh, Doing Feminism, Women's Art and Feminist Criticism in Australia, MUP Publishing 2021
Prof. Anne Marsh, Video Void: Australian Video Art 1970-2010, Australian Scholarly Publishing, Melbourne 2012
Kelly, Mimi & Geczy, Adam, "What is Performance Art?: Australian Perspectives" - Power Publications, pages 60-61, Oct 2018
Adam Geczy, ‘Art and The Islamic female Diaspora: Nasim Nasr Layered Densities’, Transorientalism in Art, Fashion and Film: Inventions of Identity, London: Bloomsbury, 2019