newly published book , Collecting: Living with Art,
Nasim Nasr Happiness (Shadi) No. 1, 2, and 3 (2013), featured on pages 68-69 photographed at Gene Sherman’s former residence
Authors: Kym Elphinstone
Publisher: @thamesandhudsonau
Nasim Nasr in Conversation with Shirin Neshat,
A-M Journal is a new global annual arts and culture magazine, published by @arts__matter, Issue 1, 2024
Singapore, Art Journal “ ISSUE” volume 11 writer : Charles Merewether
PHOTO LONDON ACADEMY Publication, ISSUE 100
https://www.artshub.com.au/news/features/iranian-artists-using-art-to-amplify-calls-for-freedom-2624217/Arts Hub Nasim Nasr
Nasim Nasr, Impulse 2023, on the front cover of Art Collector Magazine April 2023 Issue 104 https://artcollector.net.au/product/art-collector-single-issue/
Nasim Nasr
Artist Profile 62 Editor's note
Artist Profile, Nasim Nasr 2023
The Daily Telegraph, May 2018.
Artist Profile, Magazine 2017
Sydney Morning Herald, 2018
Nasim Nasr, Ashkdan-Tear Collcetor’s been mentioned as number 1 choice of Jean Wright, one of the top 10 interior designer experts in Australia at House & Gardens, Modern Australian Style, Special Issue Feb 2024
the Australian 2023.
Nasim Nasr the Australian paper
the Art Collector magazine, issue 81, July-Sept 2017
https://www.theguardian.com/artanddesign/2018/may/15/restless-in-exile-the-outsider-art-of-nasim-nasr
https://www.harpersbazaar.com/culture/art-books-music/a34229443/october-culture-guide/ASIA SOCIETY TRIENNIAL
(OPENING OCTOBER 27 2020-June 2021) NY/USA ASIA SOCIETY MUSEUMTitled We Do Not Dream Alone, the Asia Society Triennial
Reena Devi Published: 12:45pm, 11 Jul, 2022 South China Morning Post""Nasim Nasr, an Australia-based Iranian artist who exhibited at the triennial, thanked Tan for making her dreams come true. Very few artists living and working in Australia, geographically remote from Europe and the US, would have been able to exhibit their works at an important international museum show in New York, she said.""
BIBLIOGRAPHY:
2025 Rachael Coopes, The Art of Forgiveness, Affirm Press, Melbourne, pp. 80–86
Kym Elphinstone ed., Collecting– Living with Art, Thames & Hudson, Melbourne, pp. 68–69
2024 Nasim Nasr, ‘Subverted Reality and Rebellion with Shirin Neshat’, AM Journal, Sydney, pp. 136–41
2023 Charles Merewether, ‘Rules of the Game’, ISSUE 12, Lasalle College of the Arts Singapore, pp. 95–106
100 Special Edition: Echoes from Iran, Photo London, London, pp. 92–101; https://online.flippingbook.com/view/767065501/4/ Talia Smith, ‘Push/Pull’, Artist Profile 62, pp. 82–87
Jacqueline Millner, ‘An Irresistible Impulse’, Art Collector 104, pp. 170–175
Jasmine Penman, ‘Voices of resistance: Iranian artists using art to amplify calls for Freedom’, Artshub, 4 April 2023, https://www.artshub.com.au/news/features/iranian-artists-using-art-to-amplify-calls-for-freedom-2624217/
2021 David Carrier, Yung-Wen Yao & Paul Gladston, ‘ArtSeen: The Asia Society Triennial’, The Brooklyn Rail, February 2021; https://brooklynrail.org/2021/02/artseen/Asia-Society-Triennial
Anne Marsh, Doing Feminism: Women’s Art and Feminist Criticism in Australia, Melbourne: Melbourne University Press
Lisa Yin Zhang, ‘An Expansive View of Asian Identity at the Asia Society Triennial’, Hyperallergic, https://hyperallergic.com/614473/asia- society-triennial-review-part-one/
2020 ‘Dreaming with Nasim Nasr’, Asia Society Triennial 2020, https://asiasociety.org/triennial/updates/dreaming- nasim-nasr
Ben Davis, ‘The Asia Society Triennial Has a Lot of the Same Problems Most Biennials Do. But it also crystallizes a new trend in Art’, artnetnews, 25 November 2020, https://news.artnet.com/exhibitions/asia-society-triennial-delegated-handicraft-1925607/amp-page Jason Farago, ‘A Festival of New Asian Art, Seeking a Direction’, The New York Times, 18 November 2020, https://www.nytimes. com/2020/11/18/arts/design/asian-art-triennial-review.html
‘Do I Have to Spell it Out For you?’, Arts Review 3 September 2020
‘What will it take for the Biennial to stay relevant?’, cobo, 1 September 2020, https://www.cobosocial. com/dossiers/biennials-in-2020/ ‘Harnessing the power of words in art’, https://www.boroondara.vic.gov.au/media/54946/open
Bianca Winataputri, ‘Tertulia’, Memo Journal, https://memoreview.net/blog/tertulia-at-blindside-by-bianca-winataputri
2019 Adam Geczy, ‘Art and The Islamic female Diaspora: Nasim Nasr Layered Densities’, Transorientalism in Art, Fashion and Film: Inventions of Identity, London: Bloomsbury, pp. 95-100
Brooke Aitken Design, ‘Curves Ahead’, Belle Australia, Sydney
2018 Adam Geczy & Mimi Kells eds, What is Performance Art?, Sydney: Power Publications
Eve Sullivan, ‘Limestone Coast Video Arts Festival’, Artlink, https://www.artlink.com.au/articles/4713/limestone-coast-video-art-festival/ 2017 John Neylon, ‘Nasim Nasr: The Home, The Habit’, Art Collector 81, p. 216
Claire Monneray, ‘Under the Sun’, Photofile 98, Australian Centre for Photography, Sydney
Nicholas Forrest, ‘Nasim Nasr’ (exhib. cat.), Greenaway Art Gallery, Adelaide
Claire Wilson, ‘The Home, The Habit, Looking West and East with Iranian-born artist Nasim Nasr– in conversation’, Art Radar, http://artradarjournal.com/2017/06/05/the-home-the-habit-looking-west-and-east-with-iranian-born-artist-nasim-nasr-in-conversation/
2016 The 63rd Blake Art Prize (exhib. cat.), Casula Powerhouse Arts Centre, Sydney, p. 104-5 2015 Art Dubai 2015 (catalogue), Dubai, UAE
CACSA CONTEMPORARY 2015 (exhib. cat.), Contemporary Art Centre of SA, Adelaide
Anne Marsh, ‘Nasim Nasr: The Language Behind the Veil’, Contemporary Visual Art+Culture Broadsheet volume 44-1
Jane O’Sullivan, ‘Contemporary video is in the frame at Art Stage Singapore’, Art Collector 2015 Special Edition, Art Stage Singapore
2014 Natalie King & Djon Mundine, TarraWarra Biennial: Whisper in my Mask (exhib. cat.), TarraWarra Museum of Art, Melbourne, pp. 62-65 Anne Marsh, ‘Relations: Video/Performance/Document’, Video Void, Matthew Perkins (ed.), Melbourne: Australian Scholarly Publishing, pp. 111, 128-30
Anne Marsh, ‘Performance, Projection, Screen’, Performance_ritual_document, Melbourne: Macmillan Art Publishing, pp. 145, 147-8
Natalie King, Djon Mundine & Alan Cruickshank, ‘Whisper in my Mask’, Contemporary Visual Art+Culture Broadsheet 43-2, pp. 40-43 2013 Art Stage Singapore (catalogue), Singapore
Wendy Walker, ‘Embracing the new, New New’, Chameleon From The Ashes: CACSA, CACSA, Adelaide 2012 Anne Marsh, Video Void: Australian Video Art 1970-2010, Australian Scholarly Publishing, Melbourne
Adam Geczy, ‘Symbols or rebirth’, Eyeline 77, QUT Visual Arts Brisbane
2011 Chris Reid, ‘SA Art: Present Tense: CACSA Contemporary The New New’, Realtime 101, Sydney
Lisa Harms, ‘Iran: Descriptions of Love & Despair’, Artlink Vol 31 No. 2, Adelaide 2010 Lisa Harms, ‘Artist Review’, Artlink Vol 29 No. 4, Adelaide